Posts Tagged ‘Moria’

True Stories
Talking Heads
1986

Every album Talking Heads released after Stop Making Sense (1984) was a disappointment. How could it have been otherwise? How do you top or even equal a record like that? Only The Beatles created a pop cultural icon and then came back to create a second: Sgt. Pepper and Abbey Road.

(The only Beatles competitors I can think of are Bruce Springsteen for Born to Run and Born in the U.S.A. and Pink Floyd for Dark Side of the Moon and The Wall. Doubt me on that last one? Even Special D, who would rather go bird-watching in the Mines of Moria than listen to Pink Floyd, just had “Leave those kids alone!” pop into her head.)

True Stories is the music from the film of the same name, directed by David Byrne. It appeared two years after Prince tried to pull off the same trick with Purple Rain. I haven’t seen either of these movies even though my TV remote has a Netflix button. However, I’ve heard all the music. On True Stories, Byrne’s vocals seem cold and detached, but his original plan was to have his actors sing the songs so I won’t subtract points here. But the various ballads and songs of love on this disc turn me off, which is kind of a problem if you’re writing ballads and songs of love, and the closer, “City of Dreams,” drags on like a really boring dream you want to finish so you can get out of bed already and get some breakfast.

On the plus side, I mostly like “Love for Sale” and I would’ve loved “Puzzlin’ Evidence” if it had been an instrumental. I get tired of hearing “puzzlin’ evidence” over and over. And over and over. The one track that broke into the Top 40, “Wild Wild Life” (which shot all the way to #2 in New Zealand), is infectious but might’ve worked out better for Wang Chung.

True Stories is not a bad record – I give it a solid B – but it suffers because of what went before it. That’s not fair but I get paid to be unfair. OK, I’m only pretending that I get paid, but I’m definitely unfair.

As for Purple Rain, for all its faults, it’s more exciting than True Stories and light years sexier. True Stories doesn’t have a Darling Nikki, who enjoys a good grind.

Random 1986 Could Go Either Way of the Day
The Mission U.K., God’s Own Medicine
They were called The Mission in the U.K. and The Mission U.K. in the U.S. I don’t know what they were called in the U.S.S.R. Their music was perfect if you were a moody teenager who came home from school and locked yourself in your room so you could be all moody.

Rhapsody calls them “goth’s answer to The Monkees.” Allmusic.com describes them as “pompous, melodramatic, and bombastic.” Why are they being so mean? The answer is right at the beginning of this record, when singer/guitarist Wayne Hussey intones, “I still believe in God, but God no longer believes in me.”

If you like The Cure and The Cult, two moody English bands that hit it big, you might like their younger, less-talented but moderately OK brethren, The Mission.

Random 1986 Pan of the Day
The Dead Milkmen, Eat Your Paisley
This album’s a snore, but the Milkmen had a knack for titles, from the name of their band to “The Thing That Only Eats Hippies.” R.E.M. could only dream of being so witty.