Posts Tagged ‘Cracker’

Write-a-thon, Day 8: Don’t stop ’til you write enough

Posted: June 30, 2013 in music, Record reviews, Writing
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I was up until 1:30am in the wake of our party, and then I had to get up relatively early to reassemble the house and garden and take my Little Brother to see Monsters University (which I recommend) and then to lunch at Taco Bell (which I don’t). The temperature topped 90 here in Portland, and Deshawn, who just turned 17, suddenly saw the wisdom of getting a summer job in an ice-cold movie theater.

When I got home late this afternoon I wasn’t exactly at my best. In fact, one of the first things I did, after thanking Special D for all the party clean-up she did, was fall over on the first comfy horizontal surface. But I rallied after dinner and put in my hour.

I may only be getting one workable page each day, but in A Moveable Feast, Hemingway was usually quite happy with one good page. I’m not doing all the drinking he was doing, but the principle is the same. “Write it the way you see it and the hell with it,” the man wrote, and though he’s nowhere near my favorite writer, who am I to argue?

Box score
I believe I’ll only do the box score on Sundays.
– I’ve written for 8 days out of 8
– 9.5 total hours
– Current word total: 19,300 (I was hoping to hit 20,000 by tonight. Not far off!)*
– Here’s the Clarion West Write-a-thon
– Here’s my first post on the Write-a-thon
– Best movie Deshawn and I have seen: Scott Pilgrim vs. the World
– Worst: Hop

* 19,300 since I started writing this book, not since I started the Write-a-thon.

My sponsors (all hail):
Karen G. Anderson
Mitch Katz
Laurel Sercombe

Random Pick of the Day
Camper Van Beethoven, Key Lime Pie (1989)
If you could plug in one of the bands that accompanied the Union army during the Civil War, you’d about have Camper Van Beethoven. Key Lime Pie includes the band’s gorgeous cover of ’60s psychedelic classic “Pictures of Matchstick Men” and the bizarro drama of “Jack Ruby.” Camper Van can be hilarious, as in their 1986 masterwork, “Take the Skinheads Bowling.” Co-founder Dave Lowery later formed Cracker, who were a lot less amusing.

The album experience

Posted: September 18, 2011 in music, Record reviews
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Hot Trip to Heaven
Love and Rockets
1994

Tubular Bells
Mike Oldfield
1973

Key Lime Pie
Camper Van Beethoven
1989

Today I will spare you a rant about the vanishing concept of the “album,” a group of songs that are thematically linked or that fix an artist in time. That concept didn’t even exist until The Beatles came along, and if the album is no longer needed in an era of music on demand, well, The Beatles aren’t around anymore either. Things change and I like change.

But I do want to recall for a moment one aspect of the album experience, and that is having to buy an entire album just to get one song.

You might remember Love and Rockets from their 1989 hit, “So Alive,” which sounds very 1970s to me, like a lazy lounge version of T. Rex’s “Bang a Gong.” They also did a good job with their cover of The Temptations’ “Ball of Confusion.” Love and Rockets was a sort of goth/psychedelic act with an enthusiastic though small following. I wasn’t enthusiastic about them until I heard “Body and Soul” from Hot Trip to Heaven.

Like most people, I love a 3-minute record with a beat. But I also like a lengthy, mesmerizing song. I write better in a trancelike state (I also write better after I’ve had my shoes shined) and I find that playing lengthy, mesmerizing songs at work keeps people from bugging me. “Body and Soul” (which has nothing to do with Billie Holiday) is a 14-minute chunk of musical hypnosis, even at the 6:45 mark where the song abruptly picks up speed.

(The lyrics are another issue. The main theme in the first half of the song is “Body and soul,” which isn’t explained. In the second half it’s “Spin the wheel,” and I can’t shed any light on that one, either. Love and Rockets graduated from the same school of lyrical obfuscation as did Screaming Trees.)

The rest of the album I never listen to, though a couple of songs (“Trip and Glide” and “Be the Revolution”) are almost sort of catchy. But in 1994, if you wanted to own “Body and Soul” by Love and Rockets, you had no choice but to buy the entire album. That was about a $12 song. The cover art looks cool if you leave the CD sitting on your desk, but people listening to iTunes tend to snicker when they see any CD sitting on my desk so this is not the benefit it once was.

Another example from my experience is Mike Oldfield’s Tubular Bells, a snippet of which became the theme from The Exorcist. The actual title is “Tubular Bells, Pt. 1,” and it weighs in at a hefty 25:49. Don’t let that figure deter you – you don’t have to listen to the entire epic. Thanks to your computer, you can start precisely at 17:04 and immediately get to the meaty, mesmerizing part. It even has an announcer to introduce the dozens of instruments Oldfield played, as he played them. When I bought this album in the ’70s, I had to memorize where on the vinyl I wanted to go and hope I dropped the needle in the right place. (Side two, the cleverly named “Tubular Bells, Pt. 2,” is a mere 23:20. I probably played that side once. It’s way too short.)

Sometimes buying an album to get just one song resulted in a happy surprise. I wanted Key Lime Pie because of Camper Van Beethoven’s cover of the 1960s’ psychedelium masterpiece, “Pictures of Matchstick Men.” Camper Van was an early indie band with a violin and a sly sense of humor, as you can see in their legacy to contemporary music, “Take the Skinheads Bowling”:

Some people say that bowling alleys got big lanes
Some people say that bowling alleys all look the same
There’s not a line that goes here that rhymes with anything

For years I took out this CD and skipped to track 13, “Pictures of Matchstick Men,” played that song a couple of times, then popped the disc out of the machine. Even though David Lowery of Camper Van went on to form Cracker, a band I like, it never occurred to me to listen to anything else on Key Lime Pie. But then one day at work I slipped the CD into my computer just as a co-worker came over to speak to me. Before I could punch in track 13 the music started and I found myself listening to the entire album. I loved about half of it! That’s a whole lotta love in my snobby world.

My experience with Key Lime Pie proves that you should always make time to talk to your co-workers. You should always be prepared for change, too. I don’t know what’s going to happen to albums, but I’m looking forward to finding out.