Posts Tagged ‘Adam Yauch’

My loyal readers (all three of them) know that I’ve been looking for work for, well, a while. I’m sure it seems like forever to everyone who has had to endure my complaining. And so I’m happy to report that I’ve landed a job, as the copywriter at this fine establishment. Cue Etta James: “At last….My employer has come along…”

In honor of my new paycheck-producing enterprise, here are 19 songs for a new job:

“9 to 5,” Dolly Parton
“5 O’Clock World,” The Vogues
“A Day in the Life,” The Beatles
“Business Time,” Flight of the Conchords
“Career Opportunities,” The Clash
“Factory,” Band of Horses
“Factory,” Bruce Springsteen
“Found a Job,” Talking Heads
“Hard Work,” John Handy
“How to Succeed in Business Without Really Trying,” Frank Loesser
“Livin’ for the Weekend,” The O’Jays
“Manic Monday,” The Bangles
“Takin’ Care of Business,” Bachman Turner Overdrive
“There’s No Business Like Show Business,” Irving Berlin
“Work to Do,” Average White Band
“Working Day and Night,” Michael Jackson
“Working for the Weekend,” Loverboy
“Working Man,” Rush
“The Working Man,” Creedence Clearwater Revival

Compiling this list was more difficult than I thought it would be. Special D (“Manic Monday”) and Number 9 (“9 to 5” and “A Day in the Life”) were a great help. There were plenty of pop examples, obviously, but I only thought of one from jazz (“Hard Work”), two from musicals, and none from classical. Number 9 suggested Carmen, since she worked in a cigar factory. I can’t say close but no cigar, but even so Carmen doesn’t quite work. Same with her next suggestion, The Barber of Seville, which makes me think of Bugs Bunny and Elmer Fudd.

The blues don’t work because if those guys had jobs, a health care plan, and paid holidays, they wouldn’t have the blues.

Got any more?

Random Pick of the Week
The Brian Jonestown Massacre, Take It From the Man! (1996)
The British Invasion reimagined.

Random Pan of the Week
Billy Joel, Turnstiles (1976)
“Run, you fools!”

Quote of the Week
“Forecast calls for heavy jazz this afternoon with high horns and deep double bass, with possible scattered Mingus.” (Loyal Boise reader Travis Dryden, via email)

RIP
Levon Helm, drummer with The Band, perhaps best known for his singing on “The Night They Drove Old Dixie Down” and “Up on Cripple Creek.” The film Martin Scorsese made of The Band’s last concert, The Last Waltz, was the first concert film that was worth a damn. Sadly, Levon Helm was not related to Warren Zevon.

Adam Yauch, aka MCA of The Beastie Boys. Adam, I guess you finally got to Brooklyn. Sleep well. The Beasties summed up Special D in one line: “She’s crafty – and she’s just my type.”

I’ve been thinking of how I could suggest what each of these men meant to popular music. Here’s a rough approximation:

Gen Xers, if you haven’t heard of Levon Helm or don’t understand his significance, imagine losing Dave Grohl.

Boomers, if you haven’t heard of MCA or don’t understand his significance, remember how you felt when you lost George Harrison.

Run-DMSteve news
Besides gainful employment, that is. I’m back in The Nervous Breakdown with another day in the life.