Archive for the ‘Miscellaneous’ Category

Questions are flooding in! If this deluge continues, I might have to outsource the answers to India. If you have a question and you’re not too picky about an answer, leave it in the comments. From there on, it’s clobberin’ time. 

Dear Run-DMSteve,
Here is a question that I have often pondered. Everyone goes on and on about how brilliant John Lennon was and how thought-provoking and brilliant his solo music was. Has it ever occurred to others that John wouldn’t have been so “out there” if it hadn’t been for his partner in life and crime, Yoko Ono. It’s so interesting that people are quick to joke that Mark David Chapman would have been a hero if he had aimed a little more to the left and shot Yoko, but I truly believe it is because of Yoko that John became the critical darling he was so admired for. Your thoughts?
– Orin

Dear Orin,
John had two partners in life and crime, Paul and Yoko. John and Paul came of age together, worked together, and together achieved results they never would’ve seen on their own. After they became adults, they needed to get away from each other. Mick Jagger and Keith Richards have been together for 50 years, but they should’ve divorced 30 years ago. John and Paul had the sense to go their separate ways while they were still on top.

John found a new muse in Yoko, and so we have Imagine, Some Time in New York City, and Mind Games. Double Fantasy bored me, but by then John was supremely happy with Yoko, and I can’t knock happiness.

Yoko never had a fair chance. She faced a public relations attack from the first day her name was linked with John’s. Even today, when the clue in the crossword puzzle is “Lennon’s love,” I laugh to myself as I write in “Ono.” Why do we laugh at her? What was her crime? The more I think about it, the more I’m convinced that the only thing she was guilty of was not being Caucasian.

(John had another girlfriend, May Pang, while he and Yoko were estranged, but I can’t say what influence she had on his work.)

Four things I always remember: Where I was and what I was doing the day Ruby killed Oswald, the day Nixon left office, the night Chapman killed Lennon, the afternoon Challenger exploded. Just to lighten the mood here: When Nixon walked out of the White House for the last time, my Grandma Bella, who was in her 70s and glued to her TV, cried because “they’re throwing the poor man out of his house and he has a wife and two children to feed.”

Keep watching the wheels go round and round, Orin.
– Run-DMSteve

Dear Mr. Run-DMSteve/AKA mrlonelyhearts,
Since you asked, I will lay just a very few of the multitude of burning questions which I’ve been carrying around for far too long on you:

Am I the walrus?
How can heroin be “my wife” and “my life”?
How can I live a normal life if I only have eyes for you?
How can Mick get satisfaction?
How can Rhonda help ME?
If it’s my life…what am I doing here?
Is this love or confusion?
What happened to the “Eve of Destruction”? Did the “Dawn of Correction” cancel it out?
What IS new pussycat?
Who did put the bop in the bop shoo bop?
Who did write the Book of Love?
Why can’t you roller skate in a buffalo herd?
Why do fools fall in love?
Why do you keep me hanging on?
Why does no one call me Mellow Yellow?
Why must I be a teenager in love (even at age 60)??
Why won’t my boomerang come back?
Why’s everybody always putting me down?

Your sage answer(s) will be appreciated.
– Mr. Jones

Dear Mr. Jones,
Your questions require answers from sagier pundits than Run-DMSteve. Have you considered Dan Savage, Dear Prudie, or Rick Santorum?

Alas, all I can do is add more questions to your burning multitude:

If I relax too much, won’t I slip out?
If she blinded you with science, did she deafen you with metal shop?
If you put a ring on it, do you buy it from the Shane Company or Good Vibrations?
That’s the way? That’s what way?
Who let the dogs out?
Who’s next?
Why haven’t you found what you’re looking for? You’ve been looking for it since 1987!
You may ask yourself, where is that large automobile?
You may ask yourself, what is that beautiful house?
You may ask yourself, where does that highway lead to?
You may ask yourself, am I right, am I wrong?
You may say to yourself, my god, what have I done?

Thank you for the most excellent laugh, and good luck on your lifelong quest for enlightenment, you love-struck teenager!

–Run-DMSteve
(PS: Speak up. Tommy can’t hear you.)

QUOTE OF THE DAY
I believe my music is the healin’ music. I believe my music can make the blind see, the lame walk, the deaf and dumb hear and talk, because it inspires and uplifts people. It regenerates the heart, makes the liver quiver, the bladder splatter, and the knees freeze. I’m not conceited, either. (Little Richard)

In this very exciting new feature, regular workin’ stiffs just like you (and Mitt Romney) ask for my opinion and regret it later!

Dear Run-DMSteve,
There are small moments in songs – a guitar riff, a single lyric, a repeated refrain – that resonate so strongly that I have an overpowering emotional reaction to them. As I was driving to work this morning, I heard Glen Campbell’s “Wichita Lineman.” It came out in 1968, when I was 11 years old. I have no idea why I was so moved by the music/lyric combination of “And I need you more than want you/and I want you for all time/and the Wichita lineman/is still on the line.”

Any thoughts?
–Accused of Lurking 

Dear Lurking,
Here’s a specific thought: Glen Campbell had a good voice, not in the Sinatra or Tony Bennett league or in the second rank with Bobby Darin, but about on a par with Dean Martin. That’s not a slam. Dino and Glen knew how to use what they had to the fullest. (Sinatra was so phenomenal that he could goof off in a song and still sound good.) Like Martin, Campbell almost never got anything great to sing. That’s one of the reasons “Wichita Lineman” stands out among his recordings. It’s a terrific song and he puts everything into it, but in his Glen Campbellian, low-key way. The arrangement is a sort of countrified Nelson Riddle, but it works here, perhaps because Campbell sings like an Everyman. The words and the music enter your heart, even if you’re just 11, and the line you quote powers it all. I’d never really thought about it, but you nailed it.

Here’s a general thought: Proust thought that food was the ultimate time machine to the past, and that was probably true when music was not available for replay. You couldn’t “own” music in human history until the eye blink of the past 100 years. Now music has replaced food as the time machine. We experience them much the same, but music is more powerful. Why that is, I can’t say, as I’ve expended my philosophical budget for this question. I just know that music can make you cry. Can food? (I’m talking about food that hasn’t been prepared by my mother.)

Special D adds, “What always got me was the lift in his voice from ‘still on the…’ to ‘…li-i-ine’ followed by the telegraph-key sounds. I pictured this man’s yearning voice stretching thin, traveling the wires, and reaching his lover. That, and the masculine but non-macho poetry of ‘I need you more than want you/and I want you for all time’ just kills me.”

Keep drivin’ the main road, Lurk!
–RDMS

Dear Run-DMSteve,
I like to listen to the jazz station on the radio while I’m making dinner. I would never consider myself a jazz aficionado; it’s more of a relaxing backdrop while I’m concentrating on my cooking. Tonight, of course [Feb. 14], there was someone singing “My Funny Valentine.” That song has always struck me in a weird place and I can’t explain why. It always feels like the wail of a wounded animal, no matter if it’s Frank Sinatra or Elvis Costello or Rickie Lee Jones. Where does that come from?
–Perplexed Valentine Girl

Dear Perp,
“My Funny Valentine” is an odd one; it’s short, yet it packs some ambiguous meanings. “Your looks are laughable/unphotographable.” Is the singer in love with his partner despite her flaws? Does he love her for them? Is he GGG or just a manipulative asshole?

Is your figure less than Greek
Is your mouth a little weak
When you open it to speak
Are you smart?

But don’t change a hair for me
Not if you care for me
Stay little valentine stay
Each day is Valentine’s Day

This is too close to Billy Joel territory (“She’s Always a Woman”) for me, man.

The music isn’t exactly a winner either. Your “wounded animal” description is apt. I don’t know what kind of song this is but I wouldn’t play it anywhere near Valentine’s Day.

Next year, ask for the chocolates.
–RDMS

Dear Run-DMSteve,
Your opinions are rubbish, mate. Did you have any experience writing music criticism before lobbing this blog at us? Or are you mucking about in blogland because someone at your paying gig gave you the boot? Have you any qualifications at all up your sleeve, or are you having us on? And just an FYI: Chris Martin rules.
–Sexycoldplayguy8417 

Dear Sexy,
I haven’t received any training in writing about music. I can’t even read music. I’ve never written about music before, except in tenth grade when I reviewed the J. Geils Band’s Full House. I’m still proud of my lead: “Rock is rhythm.” I didn’t even know about sex yet.

It was Special D’s idea that I embark on this voyage. She knew I had run out of crafts projects. She also felt that she shouldn’t be the only person who had to listen to me babble about music. Spreading me around has taken the burden off her. I am indebted to Special D for this fab idea and she is indebted to my readers for egging me on.

I immediately set goals for my blogging career. I would be deluged with free CDs and other band merch, an all-expenses-paid trip to SXSW, and money. Crumpled singles, jars of pennies, checks with funny animals on them, and my favorite: four-figure transfers via PayPal. This didn’t happen.

However, I can report that Domino’s is making money from my blog. Every time one of their ads appears at Run-DMSteve, Loyal Reader Krafty orders one of their pizzas. I hope you’re enjoying them, Loyal Reader Krafty, because Domino’s won’t even send me a thank-you note! I can’t get anyone to pay me for an ad, and the only way to keep the ads out is to pay WordPress, which doesn’t sound like revenue generation to me (though it does to WordPress).

So you see, Sexy, I have no real qualifications beyond some spare time and the ability to type wicked fast. All I know how to do is to put things in groups and compare them. I’ve been listening to the radio all my life, and my head is brimming with everything I’ve listened to. I keep finding ways to connect the dots. Which is more than I can say for Coldplay.
–RDMS

RUN-DMSTEVE OF THE DAY
I’m back in The Nervous Breakdown after a lengthy hiatus while I wrestled with my novel. So far the novel is ahead two falls to one. I might have to resort to Plan B and install a plot.

Opera has done so much for the USA that I’m surprised we haven’t put up monuments to the genre. Opera gave us the words “diva” and “prima donna” and gave baseball announcers one of their most beloved lines, triumphantly pronounced during every improbable comeback: “It ain’t over ’til the fat lady sings!”

Opera gave us the Wagnerian battlewagon clutching a spear and wearing a Viking helmet with ram’s horns, the theme music to the helicopter attack in Apocalypse Now, and the Rice Krispies commercial in which an operatic basso profundo runs out of cereal and has to be rescued by his meddling mother-in-law.

If there’s one thing we Americans know about opera, it’s that women are hilarious!

A day at the ballpark
Million of unsuspecting children have been introduced to opera through Saturday-morning cartoons. In Bugs Bunny’s Wagner parody “What’s Opera, Doc?” Elmer Fudd calls upon the elements to help him kill the wabbit: “Bwow, North Wind! Bwow, South Wind! Typhoon! Huwwicane! Earthquake! SMOG!” In “The Rabbit of Seville,” the Italian “barbero” Bugs defeats Signore Fudd with every instrument in his barber shop, including an electric razor on a cord that he snake-charms out of a basket.

When I was a kid, I confused opera with the songs my mother sang while washing the dishes, which came from The Sound of Music, Never on Sunday, and especially The King and I. Opera to me was Yul Brynner crooning “Shall We Dance?” to Deborah Kerr. I didn’t begin to understand the true nature of the beast until 1969, when Sports Illustrated published an opera about Baltimore Orioles first baseman Boog Powell. It was this spoof that introduced me to such opera building blocks as the libretto, the aria, and hysteria. I then tried listening to opera on the classical station. Wow, I thought. If only Mozart could’ve written music for Boog Powell. I’ve already started the libretto:

Shall we bat?
On a double off the wall shall we fly?
Shall we bat?
Shall we hit it over the fence and say “Goodbye”?
Or perchance,
With runners at the corners and no one out,
Shall we still work together
With our bats and gloves of leather
And our post-game brews in a vat?
On the clear understanding
That this kind of thing can happen,
Shall we bat?
Shall we bat?
Shall we bat?

A night at the opera
I never go near this stuff. But I owe opera for one of the best moments in chess: American champion Paul Morphy’s victory during a performance of Vincenzo Bellini’s Norma in Paris in 1858.

Morphy had defeated all of the best players in the United States by the time he was 21. He then came to Europe where he caught and vaporized most of the leading players. At a party in his honor in Paris, Morphy was invited by the German Duke Brunswick and the French Count Isouard to sit in their private box at the opera house to take in a performance of Norma.

Norma, in case you haven’t seen it since its first run in the theaters, is a soothing story about doomed love and trophy wives in which Norma and her ex-boyfriend end up tied to the stake and set on fire before being hit by a train. The Duke and the Count had watched this one numerous times on Netflix, but it was all new to a very excited Morphy. Unfortunately, his Eurotrash friends put a condition on his attendance in their luxury seats: Morphy had to play one game of chess against the two of them, with his back to the show. This is how the 1% rolls. Morphy agreed to Occupy the Opera House on their terms. He probably figured he could sweep his opponents aside pretty quickly and only miss the first couple of innings.

Even though they could consult with each other, the royals had no hope of defeating Morphy. The disparity between their puny skills and their guest’s was about the size of the Grand Canyon. But that doesn’t mean that Morphy was bound to produce something brilliant. I teach chess to kids whose average age is 10 or 11. I’ve been playing chess longer than their parents have been alive. Even with this edge, our games are rarely elegant. The damn kids won’t cooperate! They either throw their pieces around like we’re in a huwwicane or burrow in like prairie dogs. It sometimes takes me 20 minutes before they’ll admit that I rule.

But Morphy, in that box in a hall that has long since turned to dust, created the immortal “Opera Game.” It is so crystal clear in the meaning of each of its 16 moves that it’s a joy to teach to children and adults alike. Even cynical, eye-rolling 15-year-old boys become entranced as Morphy sacrifices almost all of his pieces, including his Queen, before checkmating his unhappy hosts and immortalizing them in a million chess books. It helps that when I teach it, in addition to moving the pieces I can act out all the parts, including what everyone was thinking. That’s opera for you.

A friend for life
I’m writing this for my dear friend Jack Palmer, who passed away on Saturday, January 15, at the age of 84. Jack loved his family, football, birds, postcards, blimps, ocean liners, the Kalakala, kites, new restaurants, playing in the mail, making art, making fun of me, and opera. He feared snow, bagpipes, statistics, high prices, fat guys eating corn dogs, and I think The Eagles. In the ’90s, before he retired, he observed that his colleagues played the Classic Rock station all day and that “every other damn song is by The Eagles.” Later he told me that every other damn song was by Fleetwood Mac. Or Chicago. It was clear that he couldn’t tell these groups apart. I could insert a snarky comment here about The Eagles, Fleetwood Mac, and Chicago, but Jack has already done so far above my poor power to add or subtract.

I miss you very much, Jack, and I’m thankful that you had 30 years of grace following your first heart attack. I don’t know what kind of man I would be today if you had slipped away from us in 1981. Probably a lesser one.

But I still wouldn’t like opera.

A kite on a broken string

Posted: January 16, 2012 in Miscellaneous
Tags: ,

My friend Jack Palmer died yesterday. He was 84. Jack was my oldest friend and my oldest friend. Thirty years ago, when I was an aspiring science-fiction writer and Jack was younger than I am now, he introduced me to the joy of playing in the mail with our art. We made envelopes and postcards into our canvases, though some of Jack’s global mail-art friends could make art out of seaweed, toast, or the wooden arms of chairs and still manage to mail it. Jack was a real artist, I was a fraud, and we had a fantastic time.

I am not here to write his tribute or obituary. I’ll do that elsewhere. But I have to write something or I’ll just keep crying. The music Jack liked best was opera, so that will be my topic this weekend. Unfortunately for my readers – all three of them – I hate opera. Jack, if there is an afterlife, I know you’ll find a way to flame me for this post.

See you all on Sunday. And when the weather permits, go fly a kite. That’s what Jack would’ve done.

Today I give thanks for one of the many blessings in my life: My loyal readers!

40Rawk is an expert in the music of the 1980s (“I love Psychedelic Furs – as long as no animals are hurt in the process”). 40Rawk and I once had an email conversation in ’80s song titles. When I said I should put at least some of this in my blog, she replied, “The West End Girls would love it. They would have a Black Celebration for sure. But no trashy Girls on Film better show up. Everybody Wants to Rule the World these days.”

After reading my inaugural post, on Lady Gaga, 40Rawk commented:

“And, yes, the best part of the show was when she was fired from beneath the stage like a rocket and landed on her feet like it was nothin’ – oh, yeah, I jump out of bed every morning like that to come to work….I run on the treadmill to Telephone. I’m cool.”

I worked with 50% of the duo who masquerade as CowboyandVampire. Clark, my former co-worker, is an original thinker. He can’t remember if it’s nihilism or sex that sells. His wife reports: “Clark might actually have a clinical diagnosis of Pink Floyd Syndrome. One thing’s for sure: he’s got a little black book to keep his poems in.”

Another former Run-DMSteve co-worker, Orin, is not shy about his love for the ’70s: “I say if you love ABBA, Carpenters, Boney M, Barry Manilow, Nancy Sinatra, embrace it!!!” He is sick of hearing the same song by Yes (“Roundabout”) on local radio and suggests we switch to community radio or listen via satellite.

Mister Seaside had some simple advice for me after I tried to define hippie music: “Take some acid and try it again.” He also wrote, “So you ‘don’t like Knopfler’s voice.’ Next you’ll be writing that Bobby Dylan can’t sing and never could!!!” And I did!

La Société des Monstres has used my blog to overcome some childhood issues, as when she told off her brother: “Yeah, whatever Falco lover!” She found ’70s Week here at Run-DMSteve to be particularly cathartic: “I’m definitely one of the moons willing to orbit the ABBA epicenter.The following mini-memoir deserves all the space I’m giving it:

“Side note #1: My mom took me to see SNF in the theater! I was seven. When calling the theater beforehand to see why it was rated R she was told it was just some bad language. Thinking that I’d already heard all I was ever going to hear in that department through the paternal lips, she took me. I was taking ballet and I loved to dance and that’s why she took me. Little did she know that SNF is actually one of the most depressing movies in the universe and that through it I would have my very first exposure to suicide and birth control pills (she told me they were cough drops.)”

“Side note #2: I loved the movie however and I had a tape of it that I listened to in our Jeep Wagoneer’s tape deck—I remember it so clearly, even down to the blurry printing on the cassette— that it finally wore out. My parents had NO intention of replacing it, I can tell you. I don’t know how my dad—who is blind and therefore had no visual escape and was a devoté of Beethoven—stood the disco version of Beethoven’s fifth on side 2. I told you I am the musical outcast in my family, but considering how fastidious they were musically, my folks were awfully tolerant of that tape….Barry Gibb in the Stayin’ Alive video looks like Charlton Heston in Planet of the Apes.”

Barb and I crossed paths at several Seattle clubs in the early ’80s without actually meeting. Like me, Barb went to a Talking Heads concert on the Stop Making Sense tour:

“I was there at the Seattle show, over on the left about a third of the way back. Can you see me? I’m one of the endless supply of smart, inexperienced white girls with a bachelor’s degree, wearing ripped jeans and tee and way too much eyeliner. You’re right, Talking Heads was like high class porn. The band turned on my mind but did not give me the booty groovin soul experience that James Brown did that same year. Now *that* show was an education!”

Barb would get along famously with MisterSeaside:

“I have many formative memories of separating stems and seeds on my beat-up Dark Side of the Moon album cover. Of cupping my ears into my dad’s ear muffler sized headphones and zoning in the barcalounger while the helicopter of sound zips from one side of my skull to the other. Of going down to the dorm’s basement laundromat and discovering someone stole my Wish You Were Here t-shirt right out of the machine. Of wistfully deciding not to buy the CDs after all — my Pink Floyd experience needs the warm scratchiness of vinyl, the pause before flipping the B side.”

Laurel (who is also Number 9) is not shy about her opinions (“Donovan forever!”). She took exception to what I wrote about Queen: “Hipper than the Grateful Dead? Dude!”

“I have a lot to learn from Run-DMSteve in ’80s Week since my ’80s music appears to have happened on another planet,” she wrote, but accused me of inventing A Flock of Seagulls. If only.

Laurel provided a needed correction to my post on the Messiah: “Bach died in 1750, but who’s counting? I think he would’ve liked The Slits, but not Screaming Trees. He was kind of a romantic.”

Accused of Lurking occupies a special place in the Run-DMSteve chronicles, because he is our most prolific commenter. About America and their ballads he wrote that in his youth, “The lyrics seemed deep and wise and they spoke of longing and experience. Today, reading the lyrics from those songs, I am completely appalled.” And speaking of being appalled: “ ‘Friday’ [by Rebecca Black] is indeed the worst song ever recorded, which is saying a lot for a universe that also includes the song ‘Billy Don’t Be A Hero.’ ”

Accused has offered many trenchant analyses of what goes on in this blog. Here’s one, from my post about local band Red Fang and their video for “Prehistoric Dog”:

“For my money, a music video can never have too many beer cans, be they full, empty, crushed, or tin-snipped apart then spot-welded together to form armor. Of course, this video does come excruciatingly close to having too many beer cans. On second thought, this video crosses the line, re-crosses the line, and then turns the line into a Mobius strip. I would prefer to see the earlier, unreleased version of the video in which the band drank beer from long-neck glass bottles instead of cans.

“For those who are not beer can fans, I would recommend listening to the video while watching the Caps Lock on your keyboard. The song is pretty good once you rise above the distraction of the visuals.

“This music video contains the best spoken dialogue line ever: ‘Totally OOC, Dude.’ ”

Last but never least is Special D, who has inspired me numerous times. The girl has a gift for defining a band or an artist in one sentence:

About AC/DC: “They’re really annoying if you’re not drunk.” Should be a warning on their album covers.

About Coldplay: “I wouldn’t know them from a hole in the garden.” Coldplay probably belongs in a hole in the garden, but they’re so nice that if you needed help, they’d come over and dig all the holes you wanted.

About Frank Sinatra: “He sings like an adult who has had sex.” I’ve been looking for a way to write about Sinatra. This is it.

I’ve had many more comments from many more people, and I’m grateful. “Life’s been so good to me,” is the first line of Oingo Boingo’s “Gratitude.” That song is actually about the singer’s former girlfriend, who was a total bitch, so I’ll stop with the first line. Happy Thanksgiving, everyone, and I hope to keep you entertained as Run-DMSteve plunges into Year 2!