Archive for August, 2016

I’m taking another break from blogging. I’ll be back in November, and with a story, too, if this goes well.

Today I want to salute my most loyal readers – those generous people who take the time to write comments no matter what stupid things I’ve said. Some of them write under more than one alias. I’m grateful to all of them, whatever name they choose. Here they are – and, because they are such a modest bunch, for the first time ever I will reveal their most impressive accomplishments!

Accused of Lurking: Invented Post-Its.

frostybooboo: Commercial fish farmer who tags his fish with Post-Its.

number9: Snowbird who splits her year between a yellow submarine and an octopus’ garden.

Ofelia: Master of the Brazilian freehand accordion.

seasidedave: International clam thief.

Sherry: Scared Kenny G so badly, he stopped using his last name.

thecorncobb: Sailed alone around the world in a balloon-rigged sloop.

Wm Seabrook: His Mad Men-style ad agency named the Euro, the TiVo, and the Yugo.

Thanks, everyone. Enjoy the rest of your summer, if you’re north of the Equator. If you’re not – bundle up!

Random Pick of the Day 1
Talking Heads, Fear of Music (1979)
Fear of Music has “Cities,” “Life During Wartime,” and “Heaven,” three of the best songs of the ’70s. This is an awesome album.

Particularly interesting are the final three tracks: “Animals,” “Electric Guitar,” and “Drugs.” They point toward the dark, strange band Talking Heads threatened to become. Even amid the darkness and the strangeness, however, you can count on David Byrne to stop making sense. For example, he’s angry that animals don’t help. “They’re never there when you need them,” he complains. Who does that bring to mind? I’m about to tell you!

Random Pick of the Day 2
Talking Heads, Little Creatures (1985)
This album disappointed me when it was released. I’d heard all this before. I admit, though, that I would’ve had trouble with anything released in the shadow of Stop Making Sense. Listening to this album 30 years later, I’ve changed my mind. It’s solid. But the most important thing about Little Creatures is that it’s the closest Talking Heads ever came to making a B-52s record.

You think The B-52s couldn’t create a song like “And She Was”? They did – it’s called “Roam.” You say The B-52s could never match “Stay Up Late,” a vaguely sinister song about a baby? How about “Quiche Lorraine,” a vaguely sinister song about a poodle? And what’s that line in “Creatures of Love”? “Well I’ve seen sex and I think it’s alright.” That’s great, David, but have you ever made love under a strobe light?

It would be wrong to say that Talking Heads are The B-52s with more words and funkier baselines. Wrong, but with some traces of truth. There are several points in the space-time continuum where these bands intersect.

True, their only IRL meeting, when David Byrne produced Mesopotamia, sucked. As much as I love the title song, I’m the first to admit that no one knows how to play it, not even the band that wrote it. And I think I know why: “Mesopotamia” is a slower version of “Cities.”

 

Prolog.

It was a dark and stormy day. Robert A. Heinlein, a man who could pour words onto a page as easy as turning a bucket upside-down, was stumped. He had a book to write, he had nothing in his head, and the cat was distracting him. It prowled the perimeter of the room, crying and poking under and around everything.

Rain splattered the windows. Heinlein’s wife, Ginny, entered this gloomy scene.

“What’s the matter with that damn cat?” the writer demanded.

Ginny calmly observed the cat and the weather and replied, “He’s looking for a door into summer.”

Heinlein jumped off the couch, sprinted to his typewriter, and pounded out a novel called The Door Into Summer.

It’s possible that my wife has said something like this to me, but either I wasn’t listening or I thought I knew better.

Act 1.

It was a hot and bright Massachusetts day. My 14-year-old nephew Jared and I were deep underground, studying the debris field that is my parents’ basement. What did we find? My door into summer:

1 The bats
With reproduction signatures burned into the wood from Ted Williams, Carl Yastrzemski, Johnny Bench, Rocky Colavito, and (in Magic Marker) my brother.

Not shown because it was back in Portland, the bat I did the most damage with, my Ernie Banks “Powerized”:

2c My turn at bat
Put me in, coach, I’m ready to bark!

I ran upstairs with those bats and into daylight and started swinging. I guarantee you that if any baseball scout had seen me at that moment (or in 1971) he or she would’ve written me off as no prospect. I reluctantly pulled myself away from all this time-traveling and took Jared for a drive and a man-to-man talk.

Act 2.

For those of you who’ve read my previous dispatches from Massachusetts and who believe that my mother and father live in a wonderland of happy memories, here’s a little treasure I tripped over in the basement:

3 Toxic
As the platoon sergeant said in
Aliens: “Whatever happened here, I think we missed it.”

Act 3.

One night the microwave and the toaster oven went on strike. My brother-in-law Rick (a good man to have on tap) and I went in search of the fuse box, which has lurked quietly in the basement for decades.

4 Fuse box
This electrical showcase keeps the lights on, the water hot, and the Red Sox lukewarm.

The only fuse boxes I’m familiar with use circuit breakers with switches. Not this one. I thought, Hmm, glass fuses. Do they still make glass fuses? Where could I get one at this hour? Then I thought, Why am I thinking these thoughts? Whose house is this, anyway? A quick search turned up boxes of spare fuses that Dad had socked away when he and Mom bought the house in 1957.

5 1957 glass fuses
Our basement is just like the Smithsonian, with fewer lights and more mold.

Rick screwed in the 60-year-old replacement fuse and lo, Mom’s dinner from Meals on Wheels was soon hot and on the table and subject to the inspection of the cat.

Act 4.

Dad said, “I have to do something about my father’s books.”

My father’s father, my Grandpa Sam, died in 1974. Dad, because he was grieving, and because he’s a child of the Depression who must save everything, boxed up and brought home all of Grandpa’s books: his siddurim (daily prayer books), services for the High Holidays, Haggadahs for Passover, commentaries on the Torah, and Jewish cookbooks and cartoon books and a collection of photos from the Yiddish theater with funny captions.

6 Moyel
“Did somebody call for a
moyel?” Your clue: circumcision.

What to do with the unholy books was easy. I threw them in the recycling. What to do with the holy books was not. You can’t throw them in the recycling or the trash and you sure can’t stuff ’em in people’s socks for Christmas. The only thing you can do with these guys is bury them in a Jewish cemetery.

On each trip home, I aim for another small victory. It was my turn at bat.

Down in the basement again with a head lamp and a Geiger counter, I tracked the books to two columns of boxes against a wall. When I opened the boxes, I discovered that other objects had found homes with the Jew stuff. For example, the Time-Life series Outlaws of the Old West. Wooden spools without thread. The hull of my model of the battleship Massachusetts.

Next, I worked my connections. Though I haven’t lived in this community since Lizzie Borden failed her conflict-resolution class, I still knew one person at the temple. This lady quickly made the arrangements and the next morning I surrendered the books to a cheerful, bare-chested Elf who was mowing the cemetery lawn with a tractor. I suspect I’ve met this creature before, probably in Lothlórien.

The books I delivered will someday cushion the bed of a grave, which I think is a poetic end.

The Jewish cemetery rests on a hill overlooking a Catholic cemetery. I’m sure the Jews who reside there, many of whom grew up in the era of Father Coughlin, enjoy looking down on the Catholics. I wandered around in the sunshine and said hello to the people I once knew. At least this time I wasn’t the one who was underground.

Epilog.

The only advice I can give you for dealing with very old, failing parents is to share whatever joy you find and never lose your sense of humor. Also, watch where you step in all that clutter. Something might be waiting for you.