Archive for June, 2013

Yanking the page

I’ve written about typewriters before, particularly how you had to cut your manuscript with scissors and tape it back together if you had a big idea in the late innings and wanted to rearrange your plot.

These days, of course, rearranging your writing is so simple and quick that you can do it at the merest flick of an idea and then change it again and save your file and then doubt what you did and get lost in your changes until the Undo command is no longer helpful. What technology gives us with one hand it subverts with the other.

So it was today with Chapter 5, in which a group of my characters (and you, the reader) take a ride on my railroad. This is my setting and I want to make sure readers can follow the action as my book lurches forward. But Chapter 5 was beginning to extend itself as if Ken Burns was making an award-winning series about trains, minus the awards.

Using the power vested in me by cut and paste, I broke the chapter up and suddenly found myself in the middle of Chapter 6. Then I broke it again and found myself in the middle of Chapter 6 with the beginning of Chapter 7. I then asked myself, well, how did I get here?

I don’t know, but I decided, for the purpose of this Write-a-thon, to give up on my desire to get everything right the first time and just write the damn story. I can go back six weeks from now and create cliff-hanging chapter endings involving snakes at the bottom of a pit or the wrong people in the same bunk. My guess is that I have 25 chapters to write and I’d dearly love to break into double digits soon.

That’s today’s report on the Clarion West Write-a-thon. (Here’s the link if you’re interested in who’s teaching at Clarion this year. The Class of 2013 is in the middle of their first week.)

Random Pick of the Day
Get the Blessing, Oc Dc (2011)
This jazz album is so-so, to my ears, although lots of it sounds like old-school soul or early-’70s funk. Know who would be right at home on this disc? Classic Rock instrumental dude Dennis Coffey (“Scorpio,” “Taurus”).

I’m recommending this album solely for the title track. I’ve played “Oc Dc” every day for a week! I love hand-clapping. If you don’t love dissonance, you’ll exit at 1:39.

Random Pan of the Day
Orpheus, Orpheus (1968)
The two male singers in Orpheus weren’t The Righteous Brothers, Jan and Dean, or even Dean Martin and Jerry Lewis. This never stopped non-singers like Sonny and Cher, and sure enough, Orpheus produced one chart success, “I Can’t Find the Time to Tell You,” a barely passable mix of psychedelia and bubblegum.

The rest of Orpheus ain’t much. Their assault on The Left Banke’s “Walk Away, Renee” cannot be forgiven. But I liked how they almost turned The Zombies’ “She’s Not There” into a lounge act, particularly the drumming and the bass solo underneath the nonsense syllables. I rated Oc Dc as a Pick based on one song, but Orpheus, based on one song, didn’t charm me.

Call me Scooter

Writing is dark and lonely work, and no one has to do it. No one will even care much if it doesn’t get done at all, so that choosing to do it and to try to do it well is enough of an existential errand, enough of a first step, and for whatever my money and counsel’s worth, enough of a last step, too. (Richard Ford)

No one has to do it. And because no one has to do it, because no one is standing over you with a whip and a chair, it’s very easy not to do it. I’ve written more words in my favorite coffee shop in Portland and on the fifth floor of the Vancouver Community Library than I have at home. That’s because both places have plenty of plugs for my wheezy laptop (the coffee shop also has raspberry coffee cake) and I can’t connect to the Internet in either. Well, I might be able to connect if I knew their wireless passwords, but I’ve never asked, and even if I knew them, my laptop would probably refuse to cooperate. It’s a real pal that way.

Today, after an interview for an editing job, some miscellaneous job-search stuff, and a walk in the fleeting sunshine, I got down to the business of fiction. But because I was working at home, I was immediately distracted by my email. I dealt with a couple of recruiters, answered messages I didn’t have to answer, and shut it down.

Then a question arose in what I was writing, and instead of scribbling it in my notebook to look up later, as I would if I were between bites of raspberry coffee cake, I succumbed to the Great God Google. Of course, I spent more time online than I needed.

I finally got in my hour and a half, but I would’ve been more efficient if I could learn to keep our instant-gratification culture at arm’s length. I probably could’ve hit two hours. If you blow 30 minutes online, you don’t get those 30 minutes back somewhere else.

Elizabeth Benedict said it best: “Write like a maniac. No one else will do it for you.”

Tomorrow’s challenge: How to end Chapter 5!

Random Pick of the Day
Paul Anka, Rock Swings (2005)
I respect Paul Anka for his creativity; he wrote for Buddy Holly and Frank Sinatra, and how many people can say that? But Anka is also responsible for three crimes against humanity: “Put Your Head on My Shoulder,” “Puppy Love,” and the ultimate in offensiveness at the molecular level, “(You’re) Having My Baby.”
Havin’ my baby
What a lovely way of sayin’ what you’re thinkin’ of me
Havin’ my ba– [sound of Hulk smashing puny human]

But admit it, Run-DMSteve, the man can sing. Rock Swings, an album of covers of mainstream and alternative hits from the 1980s and ’90s, stomps Pat Boone’s I’m In a Metal Mood (1997) into the dirt. Boone doesn’t take his metal originals seriously, plus he wouldn’t know how to deliver a song if he worked for FedEx.

Rock Swings is not Richard Cheese and his deliberately cornball covers (Aperitif for Destruction, 2005). Anka rearranges his choice of songs to find their essence, then delivers them as if they were the American songbook. Not every song works, but frankly I was stunned by his interpretations of Soundgarden’s “Black Hole Sun” and Nirvana’s “Smells Like Teen Spirit.” Throw in Survivor’s “Eye of the Tiger” and you’ve got a disc that just slips in as a Buy.

Write every day

I subscribed to The Writer when I was in high school. I remember reading about a writing couple, Borden Deal and Babs Deal. (They don’t make names like that anymore. Can’t get the stuff.) They always said to each other, “Well, I’ve hit 50 pages, looks like I’m writing a novel.”

Well, I’ve hit 50 pages. Actually, 56. Looks like I’m writing a novel. I’ve put together a notebook of reference material and I even have a vague sense of where I’m going. I hope to show some real progress by the time this marathon ends on August 2. I’ll report in every day on what I’m up to.

Today Special D and I went to some garage sales, met some interesting people with interesting junk in their garages, and then I wrote a cover letter and answered three essay questions for a job I want. This is one of the weirdest forms of writing, making yourself sound like the greatest thing since Kim Kardashian met Kanye West. After a creative nap to rinse my brain, I worked on my book for an hour and a half. I hope my 300 fellow Write-a-thonners had good luck as well!

My thanks again to the three people who have pledged actual money to support Clarion West and see me through this thing:

Karen G. Anderson
Mitch Katz
Laurel Sercombe

My book is set in the summer of 1947 in what’s called the Intermountain West. I’ve been reading books from that era and earlier to help put me in the right frame of mind. I didn’t get far with John Steinbeck’s East of Eden (his descriptions of the Salinas Valley are beautiful, but his characters are like sermons). Right now I’m reading Hal Borland’s Country Editor’s Boy, a memoir set in Colorado in the teens and ’20s. The writing can be kind of earnest, but this is a man who even in middle age could recall his boyhood and put it in words. Like Ray Bradbury, without the airborne prose.

Borland wrote When the Legends Die, which was made into a film with Richard Widmark. He also wrote a memoir called The Dog Who Came to Stay. The title sums up that book so perfectly that I probably don’t have to read it.

BTW, Special D has also entered the Write-a-thon, but we refuse to be called Babs and Bord.

See you tomorrow!

Not-So-Random Pick of the Day
Boston, Boston (1976)
I am not Boston’s fan, but today is Accused of Lurking’s birthday and he definitely is. Lurk holds a special spot in my life, and so out of friendship and love I listened to all of Boston for the first time since the Normans invaded New England.

I am still not their fan, but I credit computer wiz Tom Scholz with creating not just one of the best-selling albums of all time, but a debut album that could easily stand in for his greatest hits. Scholz had all the talent he needed from the first note of the first track, and how many musicians can make that claim? In fact, in the beginning Boston was solely Tom Scholz. The only person I can think of who made a similar splash all by himself was Trent Reznor (Nine Inch Nails, Pretty Hate Machine, 1989).

But there’s more to Boston than the music. In the summer and fall of 1976, I could not go to a party without hearing this album. Thus the songs on Boston will always conjure for me my old joie de vivre, my youthful hopes, and the geometry of certain females.

Random Pan of the Day
3OH!3, Omens (2013)
Boston may not be my style but it beats the brains out of this thing. Not only did these derivative snore masters from the 303 area code choose a name as stupid as Fun., !!!, Toad the Wet Sprocket, and Portugal. The Man, they’re responsible for Kei$ha. Tom Scholz never did any of that to us.

R.I.P.: Slim Whitman, multi-octave country yodeler, who wanted to be remembered as a nice guy. “I don’t think you’ve ever heard anything bad about me, and I’d like to keep it that way. I’d like my son to remember me as a good dad. I’d like the people to remember me as having a good voice and a clean suit.”

Dear Loyal Readers: Thank you for your many compassionate comments after we lost our dog, Storm Small. They’re much appreciated. Though we plan to recruit a new dog soon, we will never replace our little man. He was the comeback kid and our most valuable player.

But now I have to get my act together, because in one week I begin the Clarion West Writers Workshop Write-a-thon. I’ve pledged to write an hour a day and double the size of my novel by the time this marathon ends on August 2. Two people have already put up honest-to-God money to support me, which means no screwing around, I have to do it. All hail my supporters:

Karen G. Anderson
Mitch Katz

They will receive an original piece of Run-DMSteve art, which I will create once this thing is over, plus my ever-lasting, ever-lovin’ thanks!

During the course of the Write-a-thon I will post every day on this blog with something (I don’t know what yet) about my progress. Your comments are welcome, however snarky, and I thank you in advance for reading along. See you on Sunday night, June 23.

What’s so hard about Web 2.0?
In April, at a social-media marketing conference here in Portland, I attended a presentation about how even an idiot without a camera can make a video and post it on YouTube. The guy was right because now this idiot has done just that!

Random Pick of the Week
Roy Orbison, Mystery Girl (1989)
It’s about time I said something positive about Jeff Lynne (of ELO infamy) and here it is. He was one of the founders of The Traveling Wilburys. The Traveling Wilburys (Lynne, George Harrison, Tom Petty, Bob Dylan, Roy Orbison, and Jim Keltner) gave Orbison a new lease on his musical life. Lynne then went on to produce Orbison’s farewell, Mystery Girl, released the year he died.

Roy Orbison’s voice belonged in a higher league. When he recorded Mystery Girl, Orbison still had most of that voice left, and though the material at hand was inconsistent he did a fine job with “You Got It” (written by Lynne, Petty, and Orbison) and “She’s a Mystery to Me” (Bono and The Edge). Either of these songs would’ve made a fitting B-side to “Oh Pretty Woman,” and what greater compliment can you give? So thank you, Jeff Lynne.

Random Pan of the Week
Macklemore, “Thrift Shop” (2011)
Oh come on. “This is fucking awesome” is not a lyric. Macklemore’s vocabulary never gets out of second gear and he wouldn’t know a metaphor if it hit him with an impact equivalent to one U.S. ton of lead. “I’m a take your grandpa’s style/I’m a take your grandpa’s style/No for real – ask your grandpa – can I have his hand-me-downs?” The grandpa in the video is wearing the same clothes my Dad wears! Eat your heart out, kid – someday I’ll inherit all of Dad’s clip-on ties from the ’60s.

But the video is fun.

I’m not impressed by a white rapper named Macklemore. The guy to watch is Wallpaper. (OK, it’s four guys. Shut up.) Have you heard “#STUPiDFACEDD”? “White boy wasted/gluestick pasted.” This is fucking awesome!

Teddy Ballgame

Posted: June 13, 2013 in Dog reviews, Miscellaneous
Tags: , , ,

Teddy 08

His original name was Schroeder. He’d lost two homes by the time he was four. His first home was overcrowded. His second was negligent. He lived on the streets for a week. He came to us in October 2004 through CorgiAid and a series of coincidences worthy of  A Tale of Two Cities or Les Misérables. We named him Teddy, after a collie my Dad’s family had in the 1950s. Teddy won the lottery, and that first month we had him, the Red Sox won the World Series. We gave him his first nickname, Teddy Ballgame, after the great Red Sox left fielder Ted Williams.

Like all pets, Teddy collected many other names (Teodoro, Teddilini, Teddilicious, The Tedster, Mr. T.), but the important thing to him was having a permanent address. He worked hard to fit in. He studied us as if we were his senior thesis. He was younger, larger, and stronger than our senior dog, Emma, but he bared his neck to her and followed her lead. (When Emma decided to retire, she ceded all of her duties to Teddy, even though they had no written language and no HR department to manage the transition.)

Watch and learn, kid
Emma to Teddy: “Watch and learn, kid!”

In 2005, my sister and her daughter, Isabelle, visited us. Isabelle was 6. We couldn’t predict how Teddy would act with a small child. We found out later that Teddy had had these creatures in his first home. He melted in Isabelle’s presence. Anything she wanted to do, he’d do. Isabelle wrote Teddy a couple of letters after she left. Teddy dutifully answered them. Isabelle wanted to believe that Teddy was corresponding with her, but she had her suspicions. She told my mother, “I think Uncle Stevie is helping Teddy write these letters.”

Critters in motion
Critters in motion.

Teddy was a champion sleeper who could launch himself at his bed from three feet away and land curled up and conked out. But wide awake he ran amuck whenever visitors arrived. Then he found himself in lockdown (the back room). He was not much of a cuddler. He wrestled when you picked him up. He wrestled when you brushed him. He wrestled when you toweled him off. He barked louder than God and was more stubborn than Pharaoh. It was impossible not to love him.

Steve + Teddy guard the house 0607
Steve and Teddy guard the house.

Teddy never chased squirrels or cats out of our yard unless we made an official request. He disapproved of cats outside and feared them inside. He once tried to climb on Deborah’s head when a cat entered the room where they were sitting. He was not a good puppy player – he either didn’t like other dogs or didn’t know what to do with them. He wasn’t overweight but he was built like a tank. (A vet told me, “No, tanks are built like Teddy.”) He disliked running – even when he was young, I could outrun him. He wouldn’t run after an object unless that object was an Alpo Snap.

Teddy & tulips 1 April 2008
Ready for the county fair.

There was no place Teddy would rather be than with us, whether he was sleeping on the cool tiles of the hearth while we watched TV or under the table while we talked or riding in the car and hearing our voices or walking the banks of the Boise River or the beach at Manzanita or a college campus here in Portland. He especially liked it when we were all at home. Sometimes he’d sit on the back deck and look through the window at us inside. I like to think he was marveling at his good fortune, but he was a herding dog. Maybe he was just congratulating himself on keeping both of us in the barn.

Teddy waits for a lift 0108
Stairway to Teddy.

Our friend Bob says that when a dog can’t be a dog anymore, you’ve reached the end. As pet owners we have to have the guts to recognize that and act on it. We did that today. Teddy was 13. He’d come a long way for a small dog who started off in Tulsa and was homeless in Idaho.

Iron Mt 070410 wildflowers
Teddy conquers the wilderness.

Teddy loved kibble, scrambled eggs, baby carrots, the stalks of romaine leaves, rawhide chews, sidewalk mystery snacks, all representatives of the U.S. Postal Service, and coeds. For years he patiently sat on his pillow in the living-room window and watched the street until he willed us both to return home. I’ll miss that furry face in the window, our guardian, friend, and fellow traveler. Farewell, Teddy Ballgame, and thank you for walking us all this way.

Teddy worried about the snow 1208