Posts Tagged ‘Clarion West’

Call me Scooter

Writing is dark and lonely work, and no one has to do it. No one will even care much if it doesn’t get done at all, so that choosing to do it and to try to do it well is enough of an existential errand, enough of a first step, and for whatever my money and counsel’s worth, enough of a last step, too. (Richard Ford)

No one has to do it. And because no one has to do it, because no one is standing over you with a whip and a chair, it’s very easy not to do it. I’ve written more words in my favorite coffee shop in Portland and on the fifth floor of the Vancouver Community Library than I have at home. That’s because both places have plenty of plugs for my wheezy laptop (the coffee shop also has raspberry coffee cake) and I can’t connect to the Internet in either. Well, I might be able to connect if I knew their wireless passwords, but I’ve never asked, and even if I knew them, my laptop would probably refuse to cooperate. It’s a real pal that way.

Today, after an interview for an editing job, some miscellaneous job-search stuff, and a walk in the fleeting sunshine, I got down to the business of fiction. But because I was working at home, I was immediately distracted by my email. I dealt with a couple of recruiters, answered messages I didn’t have to answer, and shut it down.

Then a question arose in what I was writing, and instead of scribbling it in my notebook to look up later, as I would if I were between bites of raspberry coffee cake, I succumbed to the Great God Google. Of course, I spent more time online than I needed.

I finally got in my hour and a half, but I would’ve been more efficient if I could learn to keep our instant-gratification culture at arm’s length. I probably could’ve hit two hours. If you blow 30 minutes online, you don’t get those 30 minutes back somewhere else.

Elizabeth Benedict said it best: “Write like a maniac. No one else will do it for you.”

Tomorrow’s challenge: How to end Chapter 5!

Random Pick of the Day
Paul Anka, Rock Swings (2005)
I respect Paul Anka for his creativity; he wrote for Buddy Holly and Frank Sinatra, and how many people can say that? But Anka is also responsible for three crimes against humanity: “Put Your Head on My Shoulder,” “Puppy Love,” and the ultimate in offensiveness at the molecular level, “(You’re) Having My Baby.”
Havin’ my baby
What a lovely way of sayin’ what you’re thinkin’ of me
Havin’ my ba– [sound of Hulk smashing puny human]

But admit it, Run-DMSteve, the man can sing. Rock Swings, an album of covers of mainstream and alternative hits from the 1980s and ’90s, stomps Pat Boone’s I’m In a Metal Mood (1997) into the dirt. Boone doesn’t take his metal originals seriously, plus he wouldn’t know how to deliver a song if he worked for FedEx.

Rock Swings is not Richard Cheese and his deliberately cornball covers (Aperitif for Destruction, 2005). Anka rearranges his choice of songs to find their essence, then delivers them as if they were the American songbook. Not every song works, but frankly I was stunned by his interpretations of Soundgarden’s “Black Hole Sun” and Nirvana’s “Smells Like Teen Spirit.” Throw in Survivor’s “Eye of the Tiger” and you’ve got a disc that just slips in as a Buy.

Write every day

I subscribed to The Writer when I was in high school. I remember reading about a writing couple, Borden Deal and Babs Deal. (They don’t make names like that anymore. Can’t get the stuff.) They always said to each other, “Well, I’ve hit 50 pages, looks like I’m writing a novel.”

Well, I’ve hit 50 pages. Actually, 56. Looks like I’m writing a novel. I’ve put together a notebook of reference material and I even have a vague sense of where I’m going. I hope to show some real progress by the time this marathon ends on August 2. I’ll report in every day on what I’m up to.

Today Special D and I went to some garage sales, met some interesting people with interesting junk in their garages, and then I wrote a cover letter and answered three essay questions for a job I want. This is one of the weirdest forms of writing, making yourself sound like the greatest thing since Kim Kardashian met Kanye West. After a creative nap to rinse my brain, I worked on my book for an hour and a half. I hope my 300 fellow Write-a-thonners had good luck as well!

My thanks again to the three people who have pledged actual money to support Clarion West and see me through this thing:

Karen G. Anderson
Mitch Katz
Laurel Sercombe

My book is set in the summer of 1947 in what’s called the Intermountain West. I’ve been reading books from that era and earlier to help put me in the right frame of mind. I didn’t get far with John Steinbeck’s East of Eden (his descriptions of the Salinas Valley are beautiful, but his characters are like sermons). Right now I’m reading Hal Borland’s Country Editor’s Boy, a memoir set in Colorado in the teens and ’20s. The writing can be kind of earnest, but this is a man who even in middle age could recall his boyhood and put it in words. Like Ray Bradbury, without the airborne prose.

Borland wrote When the Legends Die, which was made into a film with Richard Widmark. He also wrote a memoir called The Dog Who Came to Stay. The title sums up that book so perfectly that I probably don’t have to read it.

BTW, Special D has also entered the Write-a-thon, but we refuse to be called Babs and Bord.

See you tomorrow!

Not-So-Random Pick of the Day
Boston, Boston (1976)
I am not Boston’s fan, but today is Accused of Lurking’s birthday and he definitely is. Lurk holds a special spot in my life, and so out of friendship and love I listened to all of Boston for the first time since the Normans invaded New England.

I am still not their fan, but I credit computer wiz Tom Scholz with creating not just one of the best-selling albums of all time, but a debut album that could easily stand in for his greatest hits. Scholz had all the talent he needed from the first note of the first track, and how many musicians can make that claim? In fact, in the beginning Boston was solely Tom Scholz. The only person I can think of who made a similar splash all by himself was Trent Reznor (Nine Inch Nails, Pretty Hate Machine, 1989).

But there’s more to Boston than the music. In the summer and fall of 1976, I could not go to a party without hearing this album. Thus the songs on Boston will always conjure for me my old joie de vivre, my youthful hopes, and the geometry of certain females.

Random Pan of the Day
3OH!3, Omens (2013)
Boston may not be my style but it beats the brains out of this thing. Not only did these derivative snore masters from the 303 area code choose a name as stupid as Fun., !!!, Toad the Wet Sprocket, and Portugal. The Man, they’re responsible for Kei$ha. Tom Scholz never did any of that to us.

R.I.P.: Slim Whitman, multi-octave country yodeler, who wanted to be remembered as a nice guy. “I don’t think you’ve ever heard anything bad about me, and I’d like to keep it that way. I’d like my son to remember me as a good dad. I’d like the people to remember me as having a good voice and a clean suit.”

Dear Loyal Readers: Thank you for your many compassionate comments after we lost our dog, Storm Small. They’re much appreciated. Though we plan to recruit a new dog soon, we will never replace our little man. He was the comeback kid and our most valuable player.

But now I have to get my act together, because in one week I begin the Clarion West Writers Workshop Write-a-thon. I’ve pledged to write an hour a day and double the size of my novel by the time this marathon ends on August 2. Two people have already put up honest-to-God money to support me, which means no screwing around, I have to do it. All hail my supporters:

Karen G. Anderson
Mitch Katz

They will receive an original piece of Run-DMSteve art, which I will create once this thing is over, plus my ever-lasting, ever-lovin’ thanks!

During the course of the Write-a-thon I will post every day on this blog with something (I don’t know what yet) about my progress. Your comments are welcome, however snarky, and I thank you in advance for reading along. See you on Sunday night, June 23.

What’s so hard about Web 2.0?
In April, at a social-media marketing conference here in Portland, I attended a presentation about how even an idiot without a camera can make a video and post it on YouTube. The guy was right because now this idiot has done just that!

Random Pick of the Week
Roy Orbison, Mystery Girl (1989)
It’s about time I said something positive about Jeff Lynne (of ELO infamy) and here it is. He was one of the founders of The Traveling Wilburys. The Traveling Wilburys (Lynne, George Harrison, Tom Petty, Bob Dylan, Roy Orbison, and Jim Keltner) gave Orbison a new lease on his musical life. Lynne then went on to produce Orbison’s farewell, Mystery Girl, released the year he died.

Roy Orbison’s voice belonged in a higher league. When he recorded Mystery Girl, Orbison still had most of that voice left, and though the material at hand was inconsistent he did a fine job with “You Got It” (written by Lynne, Petty, and Orbison) and “She’s a Mystery to Me” (Bono and The Edge). Either of these songs would’ve made a fitting B-side to “Oh Pretty Woman,” and what greater compliment can you give? So thank you, Jeff Lynne.

Random Pan of the Week
Macklemore, “Thrift Shop” (2011)
Oh come on. “This is fucking awesome” is not a lyric. Macklemore’s vocabulary never gets out of second gear and he wouldn’t know a metaphor if it hit him with an impact equivalent to one U.S. ton of lead. “I’m a take your grandpa’s style/I’m a take your grandpa’s style/No for real – ask your grandpa – can I have his hand-me-downs?” The grandpa in the video is wearing the same clothes my Dad wears! Eat your heart out, kid – someday I’ll inherit all of Dad’s clip-on ties from the ’60s.

But the video is fun.

I’m not impressed by a white rapper named Macklemore. The guy to watch is Wallpaper. (OK, it’s four guys. Shut up.) Have you heard “#STUPiDFACEDD”? “White boy wasted/gluestick pasted.” This is fucking awesome!

In 1986 I spent six glorious summer weeks at the Clarion West Writers Workshop. I went to class Monday through Friday to study with six science fiction and fantasy writers and editors: Ed Bryant, Suzy McKee Charnas, Particia McKillip, Joan Vinge, Norman Spinrad, and David Hartwell. (I had to quit my job to go.) From this experience I learned that I had little future as a science fiction and fantasy writer, so I fell back on Plan B, which was to grow up to become John Updike.

That didn’t work either, but I still treasure my Clarion experience. (Loyal Reader Linda was one of the logistical wizards who ran Clarion that year, so let me thank you again, Loyal Reader Linda, for your most excellent work.) Clarion runs a Write-a-thon along the lines of National Novel Writing Month to help raise money for the workshop. This event is also a good way to force yourself to write faster, dammit.

I just signed up for this year’s Write-a-thon, which runs from June 23 to August 2 (concurrently with the workshop). Here’s my Write-a-thon site. Contribute if you feel like supporting literature, or just follow along. I’ll report my progress in this blog.

No, I am not writing a science fiction or fantasy novel. It’s not something Updike would’ve written, either, as I’ve replaced all the sex with trains. Just kidding. All the sex is on a train. With aliens. Which reminds of a class I took two years ago in how to write erotica. The instructor, a woman, wrote supernatural/science fiction erotica. She told me that the number-one question she received after reading a story in public (usually at a sex shop) was, “Did that really happen to you?” She had to restrain herself from saying something like, “Why yes, my boyfriend is a centaur.”

Write on!

Random Pick of the Week
The Charlottes, Things Come Apart (1991)
Includes their cover of “Venus.” You may remember from the original by Shocking Blue (who were Dutch) and the dynamite interpretation by Bananarama (English) that this is a voice-driven song. The Shocking Blue’s singer, Mariska Veres, had enough sex appeal to swamp Britney Spears, plus she was singing in a foreign language, plus she sounds like a man. Bananarama, of course, had those three pure-pop-voiced women.

Mariska Veres
Mariska Veres circa 1970

Bananarama
Bananarama circa 1986. In 1980 they sang back-up in concert for The Nipple Erectors.

The Charlottes (another English band) don’t even let their unnamed singer into the song for the first 50 seconds, and when she does join in she’s an island of calm. Or she’s lost at sea. You pick. They turn “Venus” into a guitar rally that stops cold around the 4-minute mark, then rises from the dead and moseys along for another 2 minutes. This song should be cut in half or doubled! The strangest thing of all is that I find myself air-drumming along rather than air-guitaring. The rest of these songs sound like outtakes from “Venus,” except for “Beautify,” which shows some restraint, and “By My Side,” which takes up almost 10 minutes of this odd album.

Random Pan of the Week
Various artists, Cinnamon Girl: Women Artists Cover Neil Young for Charity (2008)
The Neil Young presented here is frozen in the 1970s, with a heavy concentration on Harvest and After the Gold Rush. There’s not much you can do with marathons like “Cowgirl in the Sand” and “Down By the River” (basically the same song), though a couple of women try, one on the banjo. Nobody takes on “Cortez the Killer,” which I suppose was disqualified for its title.

Kate York’s “Comes a Time” and Louise Post’s “Sugar Mountain” stand out. (Post co-founded female alt-pioneers Veruca Salt.) The rest of these interpretations sound alike or are way too country for me, everyone strumming away and treating Mr. Young with reverence. As if he’d encourage that – this is the guy who was delighted when Lynyrd Skynyrd wrote “Sweet Home Alabama” in response to “Southern Man.” For collectors only.