Archive for the ‘music’ Category

Bikini Machine joue Dutronc
Bikini Machine
2011

I was looking at Allmusic.com’s lists of recommended songs and albums for 1969 when I hit “Le Responsable” by Jacques Dutronc (from the album Un disque MAXI). Messr. Dutronc is a legend in France but unknown in the USA. He was definitely unknown to any of us here at the Bureau. Unfortunately, Rhapsody didn’t have any of his music, but they did have a cover of “Le Responsable” by fellow Frenchmen Bikini Machine on their masterwork, Bikini Machine joue Dutronc. How did we make these connections before the invention of the World Wide Web? What did I do with my time? Read books? Interact with other humans?

Bikini Machine’s “Le Responsable” is an earth-mover (so’s the original, which I found on YouTube), so I happily gave the rest of this disk a spin. The results: Positive! Here’s a guide to what I heard:

“Sur une nappe de restaurant” (“Sir, that’s my napkin”) begins as if it wanted to live on The B-52s’ Wild Planet but soon surfs into a California-dreamin’/electro wonderland. The horn section gets a moderate workout here.

“Les Cactus” (“All that cactus”) can best be thought of as The Dave Clark Five playing “Boys” on the International Space Station.

“L’idole” (“This song is not about Billy Idol”) could almost be the theme to a spaghetti Western.

“J’ai font lu, tout vu, tout bu” (“I like this typeface, you like it, but the client hates it”) is French rap, which sounds pretty good in French.

“La fille du pere noel” (“My Dad spent Christmas with his girlfriend”) is the French version of Gary Glitter’s “Rock and Roll (Part Two),” complete with musical flourishes à la Alison Goldfrapp, with whom the Bikini Machine boys probably want to pursue activities l’intimate in the name of rock ’n’ roll.

There are enough worthwhile tracks on this CD to rate it a Buy. (I also tried an earlier album, Let’s Party with Bikini Machine, but that wasn’t much of a party.) Bikini Machine c’est formidable! At least they are on Bikini Machine joue Dutronc (“Bikini Machine thinks Dutronc is Jewish”).

Return with me now to the Swinging Sixties, French division.

Baby Boomers Social Club Dance
Red Lion Convention Center
7 December 2012
Portland, Oregon

The mosh pit formed early on that rainy Friday night thanks to one of the best cover bands I’ve heard in years, Crash Sunday. This all-male quintet (average age around 40) knew what we wanted to hear. Their three guitarists (one also played keyboards) were stellar, more than compensating for the singer, who was charming but adequate, and the drummer, who was muscular but monotonous. Special D and I entered the hall just as they broke into Billy Idol’s “White Wedding,” which was a gas. While dancing to this one I realized that I no longer remembered the original lyrics – I could only recall the words to the literal “White Wedding,” where the Billy Idol impersonator sings what’s happening in the video. “Time to bleach my/hair agaaiiiiin!!

Unlike our last outing with the Baby Boomer Social Club, I didn’t take notes. I just stood back and let it all be. That is, I kept dancing. I will say that Crash Sunday chose their lineup well and that they had not just practiced their material, they had found ways to fool with it. For example, the keyboard player treated us to some Gary Numan-style atmospherics in the middle of a song by The Cars. Yes, The Cars and Gary Numan were contemporaries, but The Cars played pop music for people who like just about anything while Gary Numan played music for people made out of circuit boards.

Crash Sunday never let the room’s energy flag by venturing into the doldrums of Norah Jones or The Carpenters or the swamplands of “House of the Rising Sun.” They never installed safety bars on their songs or commended us for still being able to walk unaided at our age. They assumed from the opening note of the opening song that we were there to rock. And we were.

As we say here in the Rose City, the Baby Boomers Social Club is Portland as Fuck.

Random Pick of the Week
Black Joe Lewis & The Honeybears
Tell ’em What Your Name Is! (2009)
Scandalous (2011)
Imagine if The Rolling Stones had matured into the Sticky Fingers / Goat’s Head Soup era with more blues and without a psychedelic pit stop. Add some social commentary and you’re somewhere close to Black Joe Lewis & The Honeybears. Standout songs for me are “Master Sold My Baby” from the first album and “Messin’ ” from the second.

Random Pan of the Week
Life Is People (2012)
Time of the Last Persecution (1971)
Bill Fay
Bill Fay is an English singer and songwriter who takes a dim view of humanity, nature, and pretty much everything in the universe no matter how far it expands. He makes the Existentialists look like an insane clown posse. After decades of seclusion he has returned with another album about life and why it’s not worth living. But I’ll give him this: He has impressive hair for a man his age.

Random Run-DMSteve of the Week
You may recall from my sign-off last summer that I’m trying to write a novel. Although in the past six months I’ve had to cope with a number of setbacks (what those of you in the psychotherapy game call “life challenges”), I’m definitely making progress. If I can continue to do so, I’m going to try to post every Sunday. I miss this blog.

Greetings, honorable ones. The second-year anniversary of this blog was in November 2012. I would’ve posted my index then, but I was high. Today I rectify that error. I see you shiver in antici – Say it! – pation.

It is my humble hope that something I’ve written here has led you to a greater understanding of and appreciation for popular music. If not, too bad. I’m too busy listening to music that you can’t understand or appreciate to pay attention to you. Anyway, nevermind the bollocks, here’s the Index to Year 2, and thanks as always for not setting me on fire.

Bands

Bob Dylan

Donna Summer

Donovan again, God help us

Everclear (’90s Week)

Gram Parsons (’90s Week)

Right Said Fred (’90s Week)

Screaming Blue Messiahs and The Flintstones

Genres

19 songs for a new job

37 songs for a new job

Best Debut Albums of the 20th Century By Newcomers Who Aren’t Somebody Stupid Like Foreigner
(The Velvet Underground, Creedence Clearwater Revival, The Clash, The B-52s, The Undertones, Pretenders, Run-D.M.C., The Smiths, Tracy Chapman, Moby)

Best Debut Albums of the 20th Century By Newcomers Who Didn’t Name Their Debut After Themselves and Who Aren’t Somebody Stupid Like Foreigner
(The Beatles, The Jimi Hendrix Experience, Elvis Costello, The Cure, Gary Numan, Echo & The Bunnymen, The Dream Syndicate, Nine Inch Nails, Liz Phair, Beck, Veruca Salt)

Female/male duos
(Sonny & Cher, Ike & Tina Turner, Captain & Tennille, Eurythmics, Nu Shooz, Frou Frou, Goldfrapp, She & Him)

Hanukkah holiday hits

One-name male pop stars (Liberace, Donovan, Yanni, Sting, Beck, Eminem)

Opera

Songs that go on for, like, forever

Miscellaneous

Report from WordPress: 2011 in review

Report from WordPress: 2012 in review

Ask Run-DMSteve

Go ahead, ask him again

Dogs as music critics

Jack Palmer

Internet radio (’90s Week)

Intro to ’90s Week

My loyal readers

Ray Bradbury

Goodbye just now

2012 in review

Posted: January 3, 2013 in music

The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog.

Here’s an excerpt:

600 people reached the top of Mt. Everest in 2012. This blog got about 4,600 views in 2012. If every person who reached the top of Mt. Everest viewed this blog, it would have taken 8 years to get that many views.

Click here to see the complete report.

I concluded ’70s Week with a list of my favorite songs and ’80s Week with a survey of women in rock, but ’90s Week is just over, period. This is not because I don’t like the music of the 1990s, because I do. But the ’90s was the first decade where I realized that I didn’t understand the trends in popular music. I don’t have the emotional investment in this decade, which I guess should be no surprise given that I was 34 when the ’90s began. I was old enough to have other things to obsess about.

There are many topics worth writing about in the ’90s (three that immediately suggest themselves are Whitney Houston, *NSYNC, and what happened to Bruce Springsteen), but they’re going to have to wait. Why? Because if I’m ever going to build momentum on my novel, I’m going to have to give up something. Wife? No. Job? No. Hygiene? See Wife. Blogs? Oh yeah, those.

Starting today, Run-DMSteve and The Nervous Breakdown have gone fishin’. If I make substantial progress on my book I’ll be back in 2013. Thank you all for reading along and commenting and correcting me and inflating my sense of self-worth. This is my 74th post since November 2010, a breakneck pace of 2.34 posts per month. I couldn’t have done it without you, and I mean that. You’re my soul and my hheaart’ss inspiration.

As George Washington said in his “Farewell to the Troops”: Farewell, troops!

Random ’90s Pick of the Day
Los Lobos, The Neighborhood (1990)
Not their best record, but totally endearing. “Be Still” is a great whistling song for a Saturday morning. The swaggering final track, “The Neighborhood,” is actually a sweet benediction:

Thank you Lord for another day
Help my brother along his way
And please
bring peace
to the neighborhood 

Random ’90s Toss-up of the Day
The Psychedelic Furs, World Outside (1991)
After 20 years I can’t decide whether I like it or I’m just used to it, which is a neat trick given that some of these songs make me feel like I’m trapped in a plastic bag. Maybe it’s the relief when they’re over. Maybe they’re really good. Maybe it’s a tunnel to my youth. Just don’t come to this record expecting anything like the Furs’ breakout ’80s hit, “Pretty in Pink”!