Archive for the ‘music’ Category

Years and years ago, when I worked at Seattle Weekly, when there were still wolves in West Seattle and humpback whales in Elliott Bay, when the grunge scene was an ordeal because it was always raining and the flannel shirts we wore soaked up the wet, before the motor car, before the wheel, before light rail, before we had to worry about the oral-sex requirements of sitting presidents, or reclining presidents, the editorial staff of our brave paper took turns writing the calendar section. For me that meant three tours of handling the sports listings.

My first tour was in the summer of 1989 and that went all right because I only had to work with baseball and I know baseball. I made fun of the Mariners (“When the meek inherit the earth, the M’s will be out of town”) and various college squads, reported on bike treks and road races and boat shows, encouraged people to play more chess, and ran a trivia contest that was won by a guy who used to work with my wife’s ex-husband.

My second tour, in 1993, was more of a challenge because baseball season was ending and football was beginning. I don’t care for football. I’ve been to one professional football game, in Boston, when the New England Patriots were still the Boston Patriots and they played in Fenway Park, home of the Red Sox. (This was not my idea – my Cub Scout pack dragged me along.) At one point during that icy afternoon I was handed a hot dog, which tasted as if it had been cooked in Nova Scotia and mailed to the ballpark, and like Charlie Brown I desperately wished there was a baseball game in front of me.

What was I going to do with football? Fear not! I had three advantages:

1) A book of football quotes I found at the library that I could use to fill valuable column inches. (“Football combines two grim features of American life, violence and committee meetings.” – George Will)
2) The Seattle Seahawks had an abysmal season in 1992, winning a mere two games. They were not poised to set the world on fire in 1993.
3) My trail had been blazed by a feature that ran in the 1980s in the Big Papers called “The Bottom Ten,” which focused on, if memory serves, the bottom ten.

Yes, the script wrote itself:

8 Sept. 1993: “The Raiders take time out from vacationing in Seattle to slice the Seahawks into lunchmeat. Next loss: on the road vs. the Patriots. At home vs. LA, 9/12 at 5. Catch the action on TNT or, if you have some consideration for your family, simply listen on KIRO-AM 710.”

15 Sept. 1993: “In Massachusetts, the Seahawks visit ‘Old Ironsides,’ Bunker Hill, Lexington and Concord, and, eventually, the stadium where the Patriots have gathered to shoot them full of holes. Next loss: on the road vs. the Bengals.”

Seahawks fans (the few who bothered to read this drivel) (the few who knew how to read) occasionally protested what I had to say, usually through an angry, anonymous fax. I wish I’d saved them. They had all been scrawled with felt-tip markers.

I should mention that I regularly lauded our basketball team, the consistently excellent Sonics (“The Sonics chase the whores of Babylon out of LA, then fly to Phoenix to extinguish the Suns”) while stick-checking our minor-league hockey team, the Thunderbirds (“The underpowered Thunderbirds are towed onto the ice to start the second half of the season”).

My last turn at bat, so to speak, was in 1994. In my final appearance in the sports pages I wrote:

“What have I learned? Chiefly, that if society is up to its neck in sports, it’s because sports answer a profound need in society. However, if an intense interest in the Seahawks is part of that need, then society is, without doubt, sick.”

Perhaps society is just a little bit healthier this morning, because yesterday the Seattle Seahawks reversed 38 years of misadventures and won the Superbowl. It’s taken them 20 years, but they’ve taught me a lesson: that back then I should’ve volunteered to write the sports listings every football season. I didn’t know how good I had it.

In December of 1993 I wrote of the Seahawks, “And now, a team that needs no introduction, mainly because no one wants to meet them.” What can I say post-Super Bowl except that it’s the Seahawks, our very own oceangoing raptors, who now fly the highest. They are at the top of their profession and the top of the world, or at least that part of the world that plays U.S. football. Congratulations to them and to their fans, who God knows have endured much. I certainly didn’t help.

Random Pick of the Day
Joe McPhee, Common Threads: Live at the Tractor Tavern (1995)
Mr. McPhee is too avant-garde for this listener, but in honor of the Seahawks I wanted an album recorded in Seattle, and we spent many New Year’s Eves dancing at the Tractor Tavern, and McPhee, a sax player, was influenced by a woman who played the accordion, so it had to be Common Threads. Believe me, if there was an album about the Seahawks or even the Seagals I would’ve picked that one.

Random Pan of the Day
Various artists, Denver Broncos: Greatest Hits, volumes 1 and 2 (both 2001)
These albums actually exist, featuring Bachman-Turner Overdrive, Molly Hatchet (never as good as Molly Ringwald), and of course John Denver. Get this crap out of here.

My people! The cash has been rolling in since I launched this blog on November 4, 2010. PolitiFact rates this assertion as Pants on Fire. I haven’t made a penny, but I have listened to Johnny Cash at San Quentin (what a record) and anyway blogging is fun and a relief from the cruel indifference of a world that has yet to form a cult around me. (I’ve also listened to Love by The Cult. Imagine if AC/DC got religion, but not one that anyone would recognize.)

I indexed the first year of Run-DMSteve in November of 2011. You can find it over there on the left in the Blogroll. (The Rolling Stones, Now! – A look back at the band as they moved from covering their American blues idols to writing their own songs. They’re barely a year away from incandescence.) The end of 2012 was kind of busy and I didn’t index the second year until January 2013. With that precedent in mind, I present the official authorized index to the third year!

Thanks as always for being there, reading this stuff or pretending to read this stuff and making appropriate or inappropriate comments. I couldn’t do it without you, Special D, WordPress, and the weekend of classes I took at the International House of Critics. (J. Geils Band, Full House vs. House of Pain, House of Pain. J. Geils wins!)

Bands
999

Bikini Machine

Kid Rock

Ray Parker, Jr.

The Pretenders

Paul Simon

Siouxsie & The Banshees

Talking Heads

2013 Clarion West Write-a-thon
Introducing the whole thing

It’s all about to happen

The Write-a-thon finally starts (Day 1)

The Write-a-thon finally ends, thank God (Day 41)

The summing up

Dogs
Teddy Ballgame

“Let Me Count the Ways” Week
I start reviewing every band with a number in its name

I run out of every band with a number in its name (or so I thought)

Misc.
A tale of two miracles

Baby Boomers Social Club

Ask Run-DMSteve asks Run-DMSteve

Round-up of albums released at Christmas 2013 but are not about Christmas in 2013 or any other year

Good Dog Happy Man

Random Pick of the Day
Bill Frisell, Good Dog, Happy Man (1999)
A guitar album of considerable skill, yet somehow with little to stick to your memory or disturb your concentration. For example, the title track – it’s pretty, and it floats away while you’re listening to it. I think that would make Good Dog, Happy Man a good listen when you’re out for a spin. Totally excellent cover art.

Here’s one of my many life goals: To be all ready to go on New Year’s Eve. Not just dressed to go out – I always aim to have my desk cleared, my body humming along like Ken Griffey Jr. rather than Boog Powell, and my big projects for the year lined up and waiting for me to dive in.

Some years I’m ready, or at least I’m close. Not this year. I gave up yesterday and finally started 2014. Happy New Year, everyone! Thanks for reading this blog, even though I’m pretty sure I insulted you last year and I’ll insult you this year. I wish you all health and prosperity and plenty of good music in the next 12 months. Which brings me to my last musical topic of 2013, the band we saw on New Year’s Eve.

But first: When did New Year’s Eve become a public party? When did people start gathering in clubs, taverns, and dance halls to listen to loud music and drink like it’s St. Patrick’s Day?

F. Scott Fitzgerald mentions raucous New Year’s Eve celebrations in his books, but I can’t recall reading anything like that in earlier authors – for example, Mark Twain, Louisa May Alcott, William Dean Howells, Ambrose Bierce, or Stephen Crane. If H.P. Lovecraft liked to party, he kept it out of the papers.

Here’s another question: What makes a good New Year’s Eve band?

While Special D and I have extensively researched this topic, I’m not about to speak for her. Here instead are three of my ideas:

1)      Please practice, and not just the stuff you play the rest of the year. Learn “Auld Lang Syne.” Federal law requires you to play it at midnight so it would be a good idea to memorize a couple of verses, or at least write them down in big block letters.
2)      You must have a sense of humor; not everything is about you. Your audience will begin to evaporate at one minute after midnight. Maybe they want to finish the evening in their bathrobes eating ice cream; maybe they want to copulate at home rather than against one of your speakers. It’s not a comment on your musical talent.
3)      Original material is good, but on New Year’s Eve we mostly want to hear pop songs we already know. Don’t fret if you massacre one or two originals. That’s part of the fun. If you wreck them all you’ll antagonize an army of idiot bloggers.

Not a whiter shade of pale
When we suited up on New Year’s Eve, Special D added her boa to the fancy black number she wore. White Fang was pleased to be let out of the Nordstrom bag where he usually lives. He practically growled with antici…pation. We then headed uptown to a hall called The Secret Society where they had two bands and two djs waiting for us. The band I want to mention is called Brownish Black.

Where most bands might offer one unusual characteristic, say double the horn players or double the guitarists, Brownish Black’s lineup included three horns and two singers. That’s plenty of firepower right there, but they also fielded a bass player who played barefoot. His flashing white feet were particularly striking when he started marching in place. Rounding out the personnel was a drummer who looked like Justin Timberlake and a guitarist who looked like he’d left Pearl Jam due to artistic differences.

I was very impressed that this visually striking outfit met my first two requirements but totally trampled the third. Brownish Black plays R&B, soul, and funk that they wrote themselves. I believe I heard one cover, maybe two, in two hours of music. (They were probably able to get away with this because they only played until 11, when the second band took over.)

We loved their music, which I can only describe in terms of artists from the ’60s and ’70s:

If everyone in Big Brother & The Holding Company were black, and
if the leads were sung by Aretha Franklin and Peter Wolf, and
if you could borrow Rare Earth’s or James Brown’s horns, and
if everything were written by Sly Stone and Otis Redding,
you’d end up with Brownish Black. Plus the female singer loved White Fang.

I did hear one outstanding cover, but that was from the second band, Satin Chaps. For their opening blast they gave us a funky version of Deodato’s 1972 cross-over hit, “Also Sprach Zarathustra (2001).” They couldn’t quite translate Deodato’s jazz-fusion into dance music, but I have to give them a shout-out for trying.

Best conversation of the evening
This happened in the men’s room, of all places. Ladies, we don’t have substantive conversations in there. There was one urinal and there were several of us waiting for one inebriated gentleman to finish. When he turned and saw the line, he said, “Oh, sorry fellas, I was reciting poetry.”

MAN IN LINE: What poem?
POETRY LOVER: The one where the guy’s wandering in the fucking woods.
2ND MAN: “Stopping By Woods on a Snowy Evening”?
3RD MAN: Robert Frost.
POETRY LOVER: I love this club.

Robert Frost, by the way, was once arrested for dancing nude in a fountain on New Year’s Eve.

Random Pick of the Day
The Smiths, …Best I (1992)
The Smiths, …Best II (1992)
Twenty-eight songs by one of the most excellent bands of the 1980s.

I was looking for a job and I found a job
And heaven knows I’m miserable now

Morrissey says the right thing, always.

Random Pan of the Day
The Smiths, …Best I (1992)
The Smiths, …Best II (1992)
They could’ve done this on one disc! The filler they’ve included illuminates The Smiths’ biggest problem – how little their sound varies. Plus there’s no excuse for including “Oscillating Wildly,” the most boring instrumental in the history of boredom and instrumentals.

OK, it’s 2014. As The Smiths sang, “Please please please let me get what I want!”

2013 in review

Posted: January 3, 2014 in music

The WordPress.com stats helper monkeys prepared a 2013 annual report for this blog.

Here’s an excerpt:

A New York City subway train holds 1,200 people. This blog was viewed about 7,700 times in 2013. If it were a NYC subway train, it would take about 6 trips to carry that many people.

Click here to see the complete report.

The Biggest Prize in Sport
999
1980

When I moved from Boston to Seattle in 1980, I didn’t know anyone closer than Los Angeles. That was one of Seattle’s attractions. Soon after I arrived and found a job and a place to live, I turned my attention to finding a vital resource: women. To meet women, I developed a simultaneous, two-step strategy:

1) I joined science fiction fandom and went to lots of conventions.
2) I followed the local music scene and went to lots of cheap concerts in small clubs.

The fandom idea was a spectacular success – I eventually got a wife out of it, and a pretty gone one, too.

I had mixed results with the cheap-concerts maneuver. My best opening line, “What do you think of these guys,” which I had to scream into the ear of the woman of the moment against the full volume of whichever band was playing, most often led nowhere. But it did cause me to think of lines that women could use on me with 100% expectation of victory:

“What do you think of these guys?”
“How about this weather?”
“Are those Armani?”

Most of the bands I saw in those days were made up of males who were about as clueless as I was, but I did see some bands that really impressed me. One such was 999.

This British outfit formed in 1977 and is still on a stage somewhere, even though they’re older than dirt (as well as dust, mud, soil, and earth). They’re known for two milestones of first-gen punk, “I’m Alive” and “Homicide.” When I saw them, I was surprised at how many of their supposedly punk songs were danceable (like “Homicide,” which you can find on – can you believe this title? – Punk’s Not Dead – 30 Years of Punk).

999’s album The Biggest Prize in Sport doesn’t have either of these songs, but it’s the one I know best. With the exception of one track that’s devoted to reggae, a punk preoccupation at the time, it’s a rock ’n’ roll romp. “Hollywood” was close to a hit in the USA, but several songs on this set are even better, especially “Fun Thing.”

(Bonus: Their song “Lie Lie Lie” is a direct steal from Zager & Evans’ “In the Year 2525,” while “Stranger” owes a lot to The Beatles’ “A Day in the Life” by way of The Ramones and The Clash.)

The Biggest Prize in Sport is a great party album, but it probably won’t help you clueless guys pick up chicks. If they’re old enough to remember 999, they’re old enough to see right through you.

Same as it ever was
You may ask yourself, why didn’t I mention 999 this past summer when I was reviewing bands with numbers in their names? That question is easy to answer: I’m an idiot. Just ask most of the women I was hitting on in the years 1980 through 1982. In fact, not only did I forget a band I’ve actually seen and always enjoy, I also forgot all of the following:

3rd Bass
This crew of white hip-hoppers from the late ’80s/early ’90s were approximately 1,000 times better than their Caucasian contemporary Vanilla Ice. Their big hit was “Pop Goes the Weasel,” which samples the horns from Peter Gabriel’s “Sledgehammer.” Sort of clever, sort of monotonous. The song I like is “The Gas Face,” which is hilarious, though I have no idea what it’s about (and I’ve read the lyrics twice).

Radio 4
An alternative band from the ’00s that I believe has gone out of business. Of course you can never tell about these things; 20 years later these bands are back on the road, in new costumes but with the same plots. Sort of like Star Trek movies. The one song I know by them is “Party Crashers” (2004), a rocker that has nothing to do with the Owen Wilson/Vince Vaughn movie The Wedding Crashers (2005).

The Five Stairsteps
A soul family act, contemporaries of The Jackson 5, who had a mega hit in 1970 with “Ooh Ooh Child,” usually written as “Ooh Child” even though there are definitely two “oohs” in this unforgettable song.

Hundred Reasons
There’s no telling who these guys are. They’re English, they were hatched in 2002, they play metal, they play indie rock, they remind me of Seattle in the ’90s, they seem to be hiding somewhere. I like them for their peculiar cover of The Smiths’ “How Soon Is Now?” and for “If I Could,” which sounds like Soundgarden flossing Candlebox out of their teeth.

Happy holidays, everyone! In our next, very exciting installment, I’ll report on the New Year’s Eve dance Special D and I are suiting up for and what we heard when the organizers unleashed their star attraction, DJ Hippie Joe.